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Angrette McCloskey

Angrette McCloskey, PhD. is a New York based set designer, performance maker and scholar.

A.C.T.’s Young Conservatory
Into the Woods


San Francisco Playhouse, San Francisco Theatre, Theatre photography

Christopher Chen’s You Mean To Do Me Harm (San Francisco Playhouse)


Shotgun Players, The Events, theatre, theater, bay area, berkeley, performance, photography, documentation, David Greig, Julia McNeal, Caleb Cabrera, Susannah Martin, Angrette McCloskey, Wolfgang Wachalovsky, documentation, san francisco, jamie lyons, Angrette McCloskey Designer

Shotgun Players’ The Events (scenography)


Sophocles, Nausicaa, Angrette McCloskey, theatre, theater, design, stanford taps, theater and performance studies, theatre design, scenic design, artist, art, bay area, production, photography, documentation, greek tragedy, Angrette McCloskey Designer

Sophocles Nausicaä

Angrette McCloskey, Pillar Point, theatre, theater, site specific, photography, documentation, avant garde, experimental

The IOTA


Angrette McCloskey, Genet, Balcony, Old Mint, site specific, design, designer, san francisco, theatre, theater, performance, jamie lyons, documentation, photography, Jack Halton, Angrette McCloskey Designer

Jean Genet’s The Balcony at The Old Mint 


Ray of Light Theater: Yeast Nation  ( Scenography)

Franconia Performance Salon #7  


site specific, theatre, theater, performance, Angrette McCloskey, performance art, san francisco, performance studies, stanford, PAI, design, photography, documentation, Stanford theater and performance studies, performance art institute, san francisco, building score, Angrette McCloskey Stanford

Angrette McCloskey’s Building Score 101b


Franconia Performance Salon  


Angrette McCloskey, Vessal, Performance Studies international, Roble Gym, Angrette McCloskey Stanford

Performance Studies international 

Angrette’s  notable design credits include Swimming to Spalding directed by Richard Schechner and The Bacchae directed by Kevin Kulhke at the Warsaw International Theatre Festival, as well assistant credits on Broadway, the Metropolitan Opera, and English National Opera. As a scholar Angrette writes about the intersections of architecture and scenography, construction as performance, and the work of the “building-body” as an embodied approach to construction. She has recently completed her PhD at Stanford University’s Department of Theater & Performance Studies and holds a BFA in Scenic Design and MA in Performance Studies from New York University.

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